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jācapps develops custom software applications including mobile apps, web applications, and other digital technologies
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from Jacobs Media
The world of video streaming may be the most competitive category in the media ecosystem. Once Netflix carved out the path to success, other wannabes rapidly followed, crowding the space. So if you’re a new entrant, how do you gain traction with the biggest players in the space? You don’t. Instead, smaller, well-defined niche players that stream narrower content categories are enjoying success with video streaming. And wouldn’t you know it – there are lessons here for radio companies trying to gain a foothold in the growing media landscape.
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If you think iHeart or Audacy own the most radio stations in the U.S., think again. A Japanese company plans on broadcasting in more than 12,000 locations by the end of 2026. Their name? 7-Eleven. Gulp.
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The term “mass media” suggests reaching a vast, undifferentiated audience with “one-size-fits-all” mainstream content. But more and more, consumers of all generations appreciate personalized content especially created and curated just for them and their unique interests and tastes. For a mass medium like broadcast radio, this presents a profound challenge. Yet, there are ways to customize and personalize the experience to create stronger connections with consumers and advertisers. Today’s blog post explores what that looks like.
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AI is continuing to shake things up, pushing boundaries and igniting debates. Apple and Baidu are diving into smart glasses, OpenAI’s SearchGPT is gunning for…
Read MoreWith Forecast 2025 now in the books, we look forward to CES in Vegas in just eight short weeks. But earlier this week, we were surprised by the announcement of a new keynoter at CES, a move that will have implications on the broadcast radio business. To find out why, just click “READ MORE.”
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And the RIFs just keep on comin’. Last week, the largest radio company in the U.S., iHeartMedia, held its earnings call for the Wall Street investment community, explaining the past quarter’s performance. But the highlight of the call was Bob Pittman’s forecast for 2025…and beyond. What are the implications of his plan, and what can talent – or anyone else working in radio – do to better position themselves for an unpredictable, challenging future?
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As media content options expand exponentially while attention spans shrink, the creative class is grappling with the best ways in which to present entertainment and information. In radio, most stations have played “The PPM Game” for more than a decade. And that dedication to keeping content short, concise, but entertaining is becoming part of a much larger, multi-platform trend. Long story short, keep it short.
Read Moreour blog
The world of video streaming may be the most competitive category in the media ecosystem. Once Netflix carved out the path to success, other wannabes rapidly followed, crowding the space. So if you’re a new entrant, how do you gain traction with the biggest players in the space? You don’t. Instead, smaller, well-defined niche players that stream narrower content categories are enjoying success with video streaming. And wouldn’t you know it – there are lessons here for radio companies trying to gain a foothold in the growing media landscape.
Read More
If you think iHeart or Audacy own the most radio stations in the U.S., think again. A Japanese company plans on broadcasting in more than 12,000 locations by the end of 2026. Their name? 7-Eleven. Gulp.
Read More
The term “mass media” suggests reaching a vast, undifferentiated audience with “one-size-fits-all” mainstream content. But more and more, consumers of all generations appreciate personalized content especially created and curated just for them and their unique interests and tastes. For a mass medium like broadcast radio, this presents a profound challenge. Yet, there are ways to customize and personalize the experience to create stronger connections with consumers and advertisers. Today’s blog post explores what that looks like.
Read More