Don’t you love it when new research studies debunk our longstanding conventional wisdom? I just found a study that shows that despite our desire to get out of the house post-COVID, most Americans are spending more time at home – by themselves. For the radio broadcasting industry trying to find its footing in an unsettling new year, following the audience – the gadgets they own and the platforms they use – might be a strategic way to gain that competitive edge back. Click “READ MORE” to follow my logic.

I’ve been especially vocal this year about the premium value of personalities to broadcast radio, particularly when new RIFs are announced. But now we’re seeing proof that talent trumps playlists. In fact, brand new data from our soon-to-be-released Techsurvey 2025 shows the audience is onto recent talent cuts.

A 1,300 job radio RIF? It happened last week to Voice of America and its associated services. Of course, it’s a political story and a radio story. Most Americans tune in shows like Elvis Duran and Delilah, but more than 420 million listeners around the world cume VOA – or at least they did. Thoughts on what it all means in today’s blog post.

Two weeks after UK musicians launched a campaign opposing a proposed British AI law—one that would allow tech companies to train AI on their content by default unless they actively opt out—concerns over creators’ rights continue to gain traction. Meanwhile, OpenAI CEO Sam Altman recently expressed outrage over the Chinese AI engine DeepSeek allegedly training…

Were radio DJs from the ’60s, ’70s, and ’80s the original “influencers?” Maybe so. But today’s social media pitchmen and pitchwomen are likely pocketing a lot more revenue than radio personalities ever made from bar nights, phone store grand openings, and live endorsements. Is “influencer marketing” a place where still-popular radio personalities can go? And what can they learn from both teenage and geriatric influencers with big followings and the ability to sell lots of stuff?